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Singing from the Fragments: Iraqi-Ashkenazi Music with Yoni Avi Battat

 

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Sarah Bunin Benor interviews musician Yoni Avi Battat, who discusses his background studying classical violin and his journey to bringing Arab music into the American Jewish soundscape. Yoni discusses his mixed Ashkenazi and Iraqi-Jewish heritage, explaining how he reclaims his Iraqi roots through microtonal melodies, the oud, and his album Fragments. Yoni explores the contrasting experiences of his ancestral languages, from his Polish maternal side’s loss of Yiddish to the vibrant Judeo-Iraqi Arabic of his paternal grandparents, finding connection through heritage words like abdalak and the guttural sounds of Arabic.

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Yoni Avi Battat headshotYoni Avi Battat (he/him) brings Arab music into the soundscape of American Jewish life through composition, education, prayer, and performance on viola, violin, oud, and vocals. Described as “an education for the ear and the soul,” his debut album Fragments seeks to find new pathways to connect with ancestry and find healing around our fragmented identities, and especially his Iraqi-Jewish heritage. Yoni is the co-founder of Kedmah, an ensemble that preserves and re-imagines Middle-Eastern and North-African piyyutim (devotional poems). From 2021-2022 Yoni toured nationally as an actor and violinist with the Tony Award-winning musical, “The Band’s Visit.â€